The health risks of street lighting during the Victorian age

In order to light the streets of the Metropolis (when Sherlock Holmes was written, the word Metropolis was capitalized and only applied to London) the flames of the street lamps had to be produced with a stable gas not likely to explode and that was relatively cheap to produce. The inventive Victorians rose to the necessity and used coal gas, a cheap derivative of coal used to light the numerous streets of the growing city. Coal gas was manufactured usually fairly close to the area where it would be used. Even though it was not highly volatile, coal gas could still explode. But it had a darker aspect, too. One of the chief results of the process of distillation was ammonia which was released into London’s air. When mixed with the other byproducts of industrialization, it was quite toxic. The “fogs” of Victorian London were a fairly lethal mixture that included ammonia and sulphuric acid (another byproduct of the process of producing coal gas). What a deadly cocktail! It was especially bad in the neighbourhoods occupied by the coal gas plants,  areas which  usually included high density homes of the poor.

When, in novels of the period, we read about the “bad night air” of London it was “air” that could scorch people’s lungs and make them sick. The air of London was usually ten degrees warmer than the surrounding countryside because of the greenhouse gases. All in all, it was not a good place to breath.

So,  in addition to the to the streets and “atmosphere” of darkest London where crimes were hidden from sight and so committed with impunity, the air itself was a silent killer.

About hudsonhousemysteries

I am a graphic artist. My work is based on photography and I am also a writer of historical novels, specializing in the Victorian era with a strong emphasis on the historical connections between that time and this.I began writing by working with my late father, Alvin Schwartz, who wrote Superman and Batman comics for more than twenty years. Starting very early, about age six, I plotted comic book stories then moved on to writing film, advertising and fiction ranging from young person’s novels to my current historical novels http://hudsonhousemysteries.com/south.php. In addition to telling a good yarn, I like to use an historical perspective to comment on modern issues. I learned about art from my mother who was one of Hans Hofmann's students and had one of the last show at Peggy Guggenheim's in NYC. I have had one man shows in Montreal and Toronto. My art website is Alan McKee.com.
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